Departmental Bulletin Paper 対位法的読解の理論的・実践的有効性の検討
The Usefulness of Contrapuntal Reading in Practice or Theory

有田, 亘  ,  アリタ, ワタル  ,  Arita, Wataru

Is Edward Said’s concept of “contrapuntal reading” good enough in practice, but not in theory? In order to solve this problem, we consider the discussion of T.W. Adorno “Beethoven’s Late Style” in Said’s On Late Style. At the same time, we compare it with “On Fidelio” of “Cosi fan tutte at the Limits,” also by Said. Because of this comparison, we consult the playing style of the pianists V. Afanassiev and I. Pogorelich. However, this paper is intended to use the idea of classical music for social epistemology. In order to lead us to understand this, we refer to Slavoj Žižek “Against the Populist Temptation : Ode to Joy and the Turkish March.”

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