紀要論文 駒井哲郎とルドンの「黒」
Tetsuro Komai and Redon’s Noirs

中谷, 伸生

10pp.69 - 86 , 2017-03-31 , 関西大学大学院東アジア文化研究科
ISSN:18827748
NII書誌ID(NCID):AA12327433
内容記述
文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠点
松浦章教授古稀記念号
[東アジアの言語と表象]
Japanese print artist Tetsuro Komai found inspiration in the darkness of Noir drawings and lithographs by 19th-century French printmaker Odilon Redon. This paper, however, does not intend to provide commentary on Komai’s work influenced by Redon. Instead, it argues that Komai and Redon both depicted their own version of “darkness” with black, by referring to Redon’s Noirs. The ultimate goal is to reveal how the two print artists who lived in different times were touched by a common genius, so to speak, and essentially produced black artworks synchronically.
本文を読む

http://kuir.jm.kansai-u.ac.jp/dspace/bitstream/10112/10911/1/KU-1100-20170331-06.pdf

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