||中国における日本製マンガ・アニメの受容 : 「ドラえもん」を事例として
Japanese Manga and Anime in China : A Case Study of “Doraemon”
95 , 2017-03-31 , お茶の水女子大学大学院人間文化創成科学研究科
This study introduces the economic, social, and political backgrounds of China in 1980s at the time when Japanese-made manga and anime ﬁrst entered the country. In addition, it discusses the reception and development of the dynamic culture by analyzing the reception of “Doraemon” in China through \the following three stages: permeation, growth, and diﬀusion.\As evident in the example of “Doraemon”, the acceptance of Japanese-made manga and anime in overseas markets always depends on the social environment of the recipient and involves a process full of contradictions. Although the analysis of the commonality of manga and anime is important, it is still \diﬃcult to see its complete scope without verifying the acceptance of individual works. At present, manga and anime have been accepted as a commonality in China.\ “Doraemon” represents a foreign culture and is originally made in Japan but now is fully localized as a “symbol of childhood” in China and has become a collective memory for more than four generations of people born in 1970s, 1980s, 1990s, and 2000s.