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I attempted to clarify Luther's view on music, chiefly by investigating "Musicae Studiosis". The points are summarized as follows: (1) He thought that auditory sansation had two excellent characters, namely its wide scope (e.g. one can hear even the unseen,) and its intuitive receptivity of the mystical. Therefore he regarded music as "donum divinum et excellentissimum". (2) Instrumental music was left out of his consideration. His consideration was focussed on vocal music (chorus). He thought multiplicity and variety of human voices signified the omnipotence of the Creator. (3) His principle of musical practice (musica practica) was this: as music should serve God by making the text lively, the correlation between tones and Words should be kept in mind, that is, tones should be in accordance with accent and intonation of Words. He realized this principle in "chorale". (4) He asserted that music dispelled Satan, but also warned not to indulge oneself in music and not to fall into Satan's hand. (5) The phrase "domina et gubernatrix affectuum humanorum" came from his thought that music expressed human "affection". Here we can conjecture a similarity between Luther's view and "Affektenlehre".
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| 公開者 |
奈良教育大学
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| 国立情報学研究所 メタデータ主題語彙集(資源タイプ) |
Departmental Bulletin Paper
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| フォーマット |
application/pdf
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| 言語 |
jpn
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| 著者版フラグ |
publisher
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